Aadujeevitham: A Review with Breathtaking Scenery and Mixed Emotions
The much-anticipated Aadujeevitham (The Goat Life) finally graced my screen at Shantiniketan Mall, in Bangalore. Despite not reading the book, the hype surrounding the making-of videos, interviews, and even controversies had me curious.
The movie kicked off with a phenomenal soundscape by Resul Pookutty. The wind whistling through the sand was simply captivating. Sunil KS's cinematography deserves a standing ovation. He captured the beauty of the desert in a way that showcased nature's inherent music. And of course, A.R. Rahman's music never disappoints. It's a guaranteed mood-setter.
While I applaud KR Gokul-Hakim's acting, I found him more believable and raw compared to Prithviraj, the lead actor playing Najeeb. This might explain why I didn't feel particularly emotional throughout the film, except for specific scenes.
Hakim's hallucinations were particularly powerful. His expressions conveyed the true toll of being trapped in such a desolate environment. Prithviraj's performance, while decent compared to his usual work, felt a bit forced, especially during the scene where he undresses to change clothes. The effort he put into losing weight for the role was evident, but it felt unnecessary for a single scene.
Jimmy Jean-Louis playing the character Ibrahim Khadiri, who aids Najeeb and Hakim in their escape, resonated deeply. His role as a facilitator trying to help them find freedom was relatable. Amla Paul as Najeeb's wife, Sainu, delivered a brilliant and natural performance in every scene.
Akef Najem, portraying the kind Arab man who rescues Najeeb from the desert and takes him to the airport, was a delightful surprise. He was a perfect choice for the role, and the scene where he drops Najeeb off, with Najeeb expressing heartfelt gratitude, brought a tear to my eye. Robin Das, the Hindi worker who takes care of the goats before Najeeb, was another standout. His portrayal was believable and his acting spot-on.
However, the movie fell short in capturing the essence of "The Goat Life" – the core relationship between Najeeb and the goats. The story revolves around how Najeeb develops a bond with these animals and considers them family. Unfortunately, this crucial aspect wasn't explored deeply enough. This felt like a major oversight by Blessy, the screenwriter and director.
The escape sequence felt dragged out, and the ending, with Najeeb reaching the Malabar hotel, seemed rushed. Blessy could have tightened the pacing here and given the conclusion more weight.
While the film might resonate more with Keralites due to the story of a Malayalee man seeking work in the Gulf countries, a situation many can relate to, the overall experience left me wanting more.
With a score of 3 out of 5, Aadujeevitham boasts breathtaking visuals and strong performances by supporting actors. However, the lack of focus on the central theme and a rushed ending prevent it from reaching its full potential.
However, the hauntingly beautiful "Periyone" song by A.R. Rahman lingers in my mind even now. You can listen to it here and hear what the maestro himself has to say about it.
~Dawn
