Showing posts with label #Literature. Show all posts
Showing posts with label #Literature. Show all posts

Monday, September 29, 2025

Art, Literature & Rhythm: ALF 3.0 Lights Up Chicago

Chicago’s literary crowd gathered for a full day of words, music, and movement as the Art Literature Fest (ALF) 3.0, presented by the American Literature Association (ALA), unfolded into a celebration of creativity.

After the 9:30 a.m. inauguration, the festival jumped straight into stimulating literature sessions.

S. Hareesh opened with a talk in Malayalam that explored the soul of storytelling.
Dr. Manu S. Pillai followed, weaving English and Malayalam to examine how memory shapes our understanding of history.
M. Swaraj closed the morning with an engaging look at the History of the Indian Constitution in Malayalam.





The midday lunch break wasn’t just about food—it was a lively mix of book signings, networking, and casual conversations, where visiting and local authors mingled with readers. A special book release by Chicago and other State based writers highlighted the city’s own literary heartbeat, while young winners of ALA’s writing competitions were celebrated for their fresh voices and bright ideas.  A short “Book on Stage” segment rounded out the literature track.





 Post-lunch, S. Hareesh and M. Swaraj sat down for an intimate fireside chat. Then Dr. Sreevalsan J. Menon and Dr. Rachitha Ravi captivated the audience with Music & Mudras, a seamless dialogue of melody and movement. 


The evening shifted into pure performance. Dr. Rachitha Ravi returned with a spellbinding dance on Karn Mrityunjaya (“The Death Conqueror”) by Shivaji Sawant book, followed by AMMA – Poetry in Motion, each piece marrying tradition with contemporary flair. Finally, Dr. Sreevalsan J. Menon and team delivered a soul-stirring live concert, sending everyone home humming.





The ALA program has a special space in my heart for their exclusive style of planning and curating the festival agenda. Everything was organized so smoothly, without disruption or confusion, that participants could simply immerse themselves in the experience. Kudos to the volunteers, who worked wholeheartedly behind the scenes—not seeking the spotlight but ensuring the event’s success. They function like a family, celebrating the collective achievement of the festival rather than individual recognition, and that spirit of humility is what makes ALA truly remarkable.

What made ALF 3.0 truly memorable was its spirit of connection. Acclaimed authors and performers proved warm and approachable, while festivalgoers formed new friendships across art, literature, and music—a vibrant bouquet of creative minds.

From insightful panels to transcendent performances, ALF 3.0 was not just a festival but an experience—a shining example of how stories, rhythm, and community can light up a Chicago weekend.



“Literature, music, and art are not just performances; they are bridges that connect hearts, histories, and hopes.”

~ Dawn

Tuesday, July 29, 2025

Book Review: Hangwoman – A Journey Through Calcutta’s Streets and Shadows


There are books that entertain you, some that educate you, and then there are those rare ones that unsettle you—profoundly, poetically. Hangwoman (originally written in Malayalam as Aarachaar) by K.R. Meera is one such hauntingly powerful novel. Reena suggested this book to me, and I’m so glad she did—it’s a literary experience I won’t forget. I actually experienced the story through the gripping audiobook narration by Benaifer Mirza.

Set primarily in Kolkata (Calcutta), the story follows Chetna Grddha Mullick, the first woman executioner in India, born into a lineage of hangmen. But Hangwoman is not just about death—it’s about life, patriarchy, journalism, love, politics, and identity. Meera’s writing, masterfully translated from Malayalam to English by J. Devika, is lyrical, intense, and immersive. It speaks volumes of the original's power that its essence and layered complexity could travel across languages and still hit hard.

What struck me the most was the vivid narration. Meera has a way of weaving words that transport you. As I read, I could walk through the crowded streets of Kolkata. I could smell the river at the ghats, hear the bells and chaos, taste the sweet graininess of sondesh. The city wasn’t just a backdrop—it was a living, breathing character in the story. I could see it, feel it, and be a part of it. That is the beauty of Meera’s storytelling.

Chetna’s voice—raw, conflicted, and sharp—is unforgettable. The novel explores generational trauma, the complexity of womanhood, and the moral contradictions of justice and media sensationalism. The father-daughter dynamic is particularly gripping, sometimes suffocating, yet heartbreakingly real.


K.R. Meera, a celebrated journalist and author from Kerala, is known for her powerful portrayals of women and for challenging societal norms. Aarachaar, when published in Malayalam, was met with critical acclaim and went on to win multiple awards including the Kerala Sahitya Akademi Award. The English translation has made this monumental work accessible to a global audience—and I can see why it stirred so many conversations.

This isn’t an easy read. It demands time and attention—but rewards you with emotional depth, literary brilliance, and a strange, dark beauty that lingers.

Thank you, Reena, for introducing me to a book that not only told me a story but took me on a journey—through a city, through a woman’s mind, and through a nation's conscience.

~ Dawn

Saturday, May 10, 2025

Two Days of Words, Wonder, and Warmth: A Literary Camp to Remember

This past weekend, the Literature Association of North America (LANA) hosted a two-day literary camp in Fremont, California, and to say it was an enriching experience would be an understatement. From thought-provoking discussions to joyful camaraderie, the event brought together writers, poets, readers, and dreamers under one creative umbrella.

The atmosphere buzzed with stories, laughter, and inspiration as attendees engaged in sessions that covered a wide range of literary themes. Whether it was fiction or memoir, poetry or publishing advice, every speaker brought a unique voice to the table—each one adding another brushstroke to this vibrant tapestry of words.


The camp kicked off on Friday evening with a warm "Meet and Greet," setting the stage for the engaging inaugural function. Anchored by the dynamic duo of Tom Antony and Smitha Kottarath, the evening unfolded with a welcoming address by John Kodiyan, followed by a nostalgic look at LANA's history through a captivating video. Sankar Mana's presidential address set a thoughtful tone for the days ahead, culminating in the inauguration by the esteemed Madassery Neelakantan. The evening was further graced by insightful felicitations from Athmaraman and Thampy Antony, leading into a thought-provoking speech by Vinod Narayan on the "Struggling World of Reading" (വഴിമുട്ടുന്ന വായനാലോകം). Smitha Kottarath's vote of thanks brought the formal proceedings to a close before a delicious dinner.


The evening continued with a poignant remembrance of the legendary M.T. Vasudevan Nair, introduced by Haridas Thankappan and eloquently delivered via Zoom by K.P. Ramanunni. This session fostered a heartfelt connection with a literary giant, followed by an engaging interaction with the esteemed writer. Damu Kesavath's wrap-up marked the end of a stimulating first day.

Saturday dawned with a hearty breakfast, fueling attendees for another day of literary immersion. The morning sessions delved into the vibrant world of American Malayali writers, moderated by Raji Menon, followed by personal reflections on "M.T. in My Reading" (എന്റെ വായനയിലെ എം. ടി.), skillfully moderated by Sreevalsan Vallath. After a brief break, the discussions continued with "Malayalam Works That Influenced Me" (എന്നെ സ്വാധീനിച്ച മലയാള കൃതികൾ), guided by Sukumar Canada.



The afternoon offered a creative outlet with a "Kaviyarangam" (poetry session) moderated by Jacob John, showcasing the poetic talents within the community. A tea break provided a moment of respite before a memorable photo session captured the camaraderie of the event.


The closing ceremony, expertly MC'd by Raji Menon, was a fitting culmination to the camp. Sreevalsan Vallath welcomed the attendees, followed by another insightful presidential address by Sankar Mana. The ceremony included the honoring of Madassery Neelakantan and a moving rendition of Sugathakumari's poem "Kattupakshi" (കാട്ടുപക്ഷി) by Manasi Mahima Mahesh.





One of the standout moments of the camp was the honor of introducing Shobha Tharoor Srinivasan—renowned author, poet, and speaker—to the stage. Her talk, “Children’s Books: Entertainment or Educational?”, was not just insightful, but deeply resonant. She reminded us of the power of storytelling in shaping young minds—how the best books both delight and teach, entertain and enlighten. It was a privilege to welcome her and witness her charm and intellect firsthand.


A highlight of the closing ceremony was the captivating speech by Athmaraman on "The Paths of Reading" (വായനയുടെ വഴികൾ). With thoughtful reflections and eloquent clarity, he delved into how reading is not just an act of consuming words but a journey of connecting with the author's mind—their emotions, interpretations, and unique style of expression.

He spoke about the beauty of understanding a poet’s or writer’s method and meaning, emphasizing that every reader has the opportunity to assimilate the essence of a work by engaging deeply with its rhythm, context, and subtext. His insights encouraged the audience to go beyond the surface, to pause, reflect, and truly experience literature as a dialogue between the creator and the reader. It was a powerful conclusion to a weekend that celebrated the written word in all its richness.



The ceremony continued with an engaging and thought-provoking speech by Umesh P. Narendran on the intricacies of "Translating Poetry" (കവിതകൾ പരിഭാഷപ്പെടുത്തുമ്പോൾ). His reflections on the delicate balance between preserving the emotional essence of a poem and staying true to its linguistic structure were insightful and deeply resonant.

What truly captivated me was Umesh’s effortless recitation of Sanskrit shlokas, followed by his thoughtful and articulate explanations. It transported me back to my own Sanskrit and Hindi classes, rekindling a nostalgic connection with the classical languages and the layered beauty they carry. I was completely glued to the session, hanging on to every word. His ability to blend scholarship with heartfelt delivery made it one of the most enjoyable and enriching parts of the entire event, followed by the exciting kick-off of the LANA Biennial Convention by Haridas Thankappan. Adding to the cultural richness, Maushmi Mahima Mahesh recited Ayyappapanicker's powerful poem "Agnipooja" (അഗ്നിപൂജ). One of the most mesmerizing moments of the literary camp was experiencing the presence of Bindu Tiji, a truly multi-talented personality who effortlessly wears the hats of an actor, writer, and poetess. Her aura on stage was captivating, and her words carried the weight of lived experience, artistic depth, and heartfelt emotion.

Bindu's ability to shift between dramatic expression, lyrical narration, and thoughtful reflection left the audience spellbound. Whether it was her poignant poetry or the nuanced stories she shared, there was an authenticity in her delivery that drew everyone in. She embodied the spirit of creativity and passion, and her performance reminded us all of the profound power of the arts to touch, move, and inspire.

Her presence was not just memorable—it was magnetic, a highlight that will be cherished by everyone who witnessed it.



The evening also celebrated the contributions of several literary figures, including the honoring of Athmaraman, Shobha Tharoor Srinivasan, Vinod Narayan, Thampy Antony, Geeta George, and Sukumar Canada. John Kodiyan's vote of thanks officially concluded the enriching two-day camp, followed by a final, delightful dinner.


But beyond the sessions and speeches, it was the connections we formed that left a lasting impression. Two days was all it took for strangers to become friends, for pages to turn into shared memories, and for a literary camp to feel like a family gathering. The conversations spilled into breaks, the laughter echoed into lunch hours, and by the end of it all, none of us wanted to leave.

As we now return to our daily routines, a part of us lingers in those Fremont moments—grateful, inspired, and already missing the community we created. Here's to literature, to lifelong learning, and to many more camps like this in the future.

~Dawn


A day spent in a school with my Dad

  No matter how old we grow, a part of us always longs to return to our childhood—to the school where we learned, the home where we grew up,...