This past Saturday, January 25th, the Museum of the African Diaspora (MoAD) in San Francisco hosted a captivating event in partnership with SFJAZZ, celebrating Black History Month with a unique blend of art and music.
The afternoon began with a guided tour of MoAD's exhibitions. MoAD's current exhibition is a vibrant exploration of Black identity, creativity, and the concept of "liberatory living." The show cleverly intertwines art and design, showcasing how everyday objects and spaces can become powerful expressions of self and community.
Zanele Muholi's striking photographic portrait, "Balindile I, the square, Cape Town 2017," likely served as a compelling anchor for the exhibition. Muholi's work often confronts issues of race, gender, and sexuality, and this piece probably provided a powerful lens through which to view the other works. Malene Djaneba Barnett's "Illusion of Softness" wallpaper added a tactile and visually rich dimension. Barnett's work explores themes of African heritage and ancestral connection, and the wallpaper likely created an immersive environment within the exhibition.
The overall theme of "Liberatory Living: Black Radical Joy" provided a framework for understanding the works on display. It suggests that by creating and inhabiting spaces that reflect their own values and aesthetics, Black individuals can experience a sense of freedom, joy, and empowerment.
This exhibition seems to be a testament to MoAD's commitment to showcasing diverse voices and perspectives within the African diaspora. By blending art, design, and social commentary, it creates a thought-provoking and inspiring experience with a range of powerful and thought-provoking works exploring the African diaspora. Museum tours always offer a chance for personal reflection and shared perspectives, and this one was likely no different, sparking conversations and deepening understanding.
Following the tour, the focus shifted to music with a performance by the talented Martin Luther McCoy, known for his soulful blend of blues, R&B, and storytelling, McCoy treated the audience to an intimate concert in the museum's gallery. He was joined by bassist Elizabeth, adding depth and groove to his signature sound. This performance was particularly special as it offered a first listen to selections from McCoy's upcoming album "Welcome Back Love," giving attendees a sneak peek into his creative process.
Overall, the event seems to have been a resounding success, offering a rich and engaging experience that combined the visual power of art with the emotive force of music. It provided a fitting tribute to Black History Month, showcasing the creativity and resilience of Black artists and their contributions to our cultural landscape. And meeting curator Kee Jo Lee at the end of the visit was a great way to deepen my understanding of the exhibition. Curators play a crucial role in shaping the narrative of an exhibition, and Lee's insights likely added a valuable layer to our experience.
The personal touch at MoAD extended beyond the art itself. Elizabeth Gessel, the Director of Public Programs, sent a thoughtful email after I registered for the event, which made me feel welcomed and valued. Then, receiving a thank you note from her after attending added a special touch and deepened my connection to the museum. This level of personal attention and care elevated the entire experience, making it feel truly touching and thoughtful.
~Dawn
